This stunning piece is a captivating example of Nasta’liq script by Master Amirkhani, adorned with masterful illumination (Tazhib) by Mirzaei. Created in 1998, the panel beautifully renders the meaningful verse: “In the lane of love, the glory of kingship is of no value.” Nasta’liq, often renowned as the ‘bride of Iranian scripts’ for its elegance, is displayed here with a delightful composition and harmonious balance, creating an unparalleled visual effect. The delicate illuminations and color harmony in the margins enhance its artistic appeal, making this panel a brilliant example of Iranian calligraphic art
This work by Vesal is a magnificent example of Islamic-Iranian calligraphy, in which the Nask and Thuluth styles are used alongside each other. The legibility and distinct grace of the Nask script, paired with the grand and powerful composition of the Thuluth script, create a visually striking harmony. Vesal’s skill in the beautiful combination of letters, balanced arrangement, and calligraphic structure is clearly evident in this piece
The Amirkabir Cultural Foundation holds a valuable collection of foreign paintings, including outstanding works by artists from Asia, Europe, and other parts of the world. Created in a variety of styles and methods, these artworks reflect the global scope of art and the cultural ties between nations. The paintings in this treasury have been created using various techniques, including oil, ink wash, watercolor, and mixed media, and they display a diversity of artistic styles. These works, some created with a realistic approach and others in abstract and modernist forms, provide an opportunity to see the world from the perspectives of different artists.